I Want Revenge and Joe Talamo Win the 2009 Gotham Stakes
Saturday 3/7/2009
Cabin fever. Derby fever. Spring fever. Call it what you want. The gaggle of racing photographers had it in spades when they all flocked to Aqueduct for the first Saturday in March. The whole gang was present and accounted for and we shot the Aqueduct inner dirt with enthusiasm in our eyes and roses in our minds.
I Want Revenge and Jockeys star Joe Talamo won by over 8 lengths, thus capturing the imagination of many Bloggers and columnists. Captured a little gas money for me, too. I managed to hit the Gotham trifecta :^)
Did you watch the race? What did you think? Who is on the top of your Derby list?
“They say figures don’t lie, but let me tell you – a good horse has, many times, a good laugh at figures.” Said by Jimmy the Hat in 2009? Nope, said by Patrick “Pack” McKenna in 1919.
“It’s a filly in the Belmont!” Rags To Riches in 2007? No, Tanya in 1905.
Nothing has changed in the world of horse racing. Everything has changed in the world of horse racing. Colin’s Ghost, a racing history blog by TBA member Kevin Martin, is fresh and fascinating in its exploration of racing’s past and its incorporation of racing’s history into modern issues in the sport. Steve Crist called Colin’s Ghost “…the best of the current blogs…” and “…among the most interesting racing journalism being practiced anywhere.”
From breakdowns in the Derby to opening day at Saratoga 100 years ago to the story of the mighty Colin himself, Martin’s research is timely and required reading for any racing fan.
What does a well-rounded racing fan rock out to? Here are Kevin’s Top Ten Albums of All Time:
10. Sleater Kinney – “Hot Rock” – When I first heard their album “Dig Me Out”, I thought it was OK and listened it a few times before relegating to my forgotten pile of CDs. I revisited this band years later after hearing them on a college station while driving on 95 near Baltimore. The riff-driven guitar and vibratto vocal style is an acquired taste but one that has grown on me in a big way.
9. New Pornographers – “Mass Romantic” – Their is something about this band that is infectious. Combination of great melodies, strange but intriguing lyrics, and interesting arrangements makes them incredibly unique. All of their albums have their highlights but “Mass Romantic” is their best from top to bottom. This is my soundtrack for driving to Belmont Park — it makes driving on the Jersey Turnpike a little less depressing.
8. Clutch – “Clutch” – This band has been consistently good for as long as I have been a fan. Their first full length is one of those heavy, teeth shattering records that sounds best at full volume. I have always felt a southern vibe with Clutch’s music but not in a creepy Lynyrd Skynyrd way – its more of a sweaty, backwoods revival kind of way (I guess that’s kind of creepy too…anyway, they rock!).
7. The Sundays – “Reading, Writing & Arithmetic” – This is an album that I have had in one form or another since high school and still spin it frequently. Sweet and mellow…I am a sucker for a solid female voice. Great music to fall asleep to.
6. Jim Hendrix – “Radio One” – Released in the 80s but now out of print, most of this material was later re-packaged and released as the BBC sessions. All of Jimi’s stuff is great but their is something about this live performance that captures the creativity, spontaneity, and joviality of an artist who I truly believe was from another planet. The performance of “Hear My Train Comin'” is especially memorable as Jimi sings, shreds, and maintains a seemingly constant banter with the small studio audience — priceless!
5. Spoon – “Series of Sneaks” – This band’s recent releases have been “critically acclaimed” but I prefer the grittiness of the early records. This album, “Telephono”, and the “Mountain to Sound” EP are equally good. Their later releases have been progressively worse as the production values have gotten better. “Staring at the Board” is the coolest 55 second song ever.
4. P.J. Harvey – “Rid of Me” – Love all of her work but her second full-length album just screams. I prefer the punkier Harvey to the bluesy, laid back version. I still remember where I was when I first listened to the brilliant low-volume opening of this album. “Stories from the City, Stories from the Sea” — the best of PJ’s later records (so far) — nearly knocked this one off the list. Kamikaze from “Stories” might be one of my favorite songs of all time.
3. Quicksand – “Manic Compression” – A sentimental choice from a killer New York band that only released two full length albums before breaking up. Me and my buddy Proto used to drink cheap beer (“Gibbons”, a local PA brew) and freak out on this album (I actually had the tape). Our other friends never quite bought into it but Proto and I still listen and talk about this one. Post-hardcore at its best. A band from the “Helmet-era” that could kick Helmet’s ass!
2. Superchunk – “Here’s Where the Strings Come In” – Tough call picking an album from one of my favorite bands. “On the Mouth” and “No Pocky for Kitty” were killer records but this one captured them at the peak of their development toward a more subdued, thoughtful band. I thought everything that followed this one was good but they never matched “Strings” and what came before it. This band’s live performances at the Trocadero in Philly in the 1990s are among my most cherished music memories.
1. U2 – “Joshua Tree” – In 1987, when everyone else was listening to Bon Jovi I was a U2 guy. When they released this one, my seventh grade class finally left the hair-band era behind and I suddenly became cool. Because of that, the “Joshua Tree” is still number one in my book. The last album that U2 took themselves seriously still stands as their best. If only my Mom would have let me go see them at JFK Stadium in Philly…still bitter about that!
Honorable Mentions:
Pavement – “Crooked Rain, Crooked Rain”
Kate Bush – “Sensual World”
Arctic Monkeys – “Whatever People Say I Am”
Joseph Arthur – “Nuclear Daydream”
Galaxie 500 – “Today”
Ida – “Tales of the Brave”
James Brown – “The Payback”
The Hold Steady – “Stay Positive”
Archers of Loaf – “Icky Mettle”
Feb 26- March 1, 2009 My first trip to the Pennsylvania Horse World Expo was a few years ago (2003?). My friend Stephanie, a veteran of larger events such as Equine Affaire, asked me to go with her. She taught me the ways of the expo- wolfing down hot dogs, chuckling at the round penners, shopping for all things sparkly, and seeking out the best clinicians. Many return trips and many shopping bags full of tack later, I still attend them when I can. I like to support equine community events whenever possible, and it’s great to see the latest and greatest changes in the horse world. In comparison to past years, the attendance and overall presentation of the event seemed to have dropped. There were still lots of auditors and elbow-to-elbow shoppers, but it seemed like only a handful of clinicians were drawing the biggest crowds. My favorite vendors were not there, and I miraculously left the Expo without purchasing a single, solitary item. For a tackaholic like me, this is no easy feat. I can find a Joules jacket in a haystack and I will sift my way through a mountain of Ariat paddock boots to find my size. Between hotel fare, admission, food, and parking, I still made my economic contribution to the PA equine industry, but no shopping this year. The clinics were fun to watch; due to time constraints, they are not typically as in-depth as a one-person equine clinic, but the large crowd and venue make them enjoyable to watch. Tommie Turvey, as always, is one of the hardest-working clinicians in the equine industry. You never know what he has in store and he seemed to be the biggest crowd-pleaser of the Expo. Although he is billed as an Equine Extremist, his horses looked sound, fit, and prepared for their jobs. One of the things I liked best about his performances and clinics was that he was fully aware that his animals are not machines. Sometimes the performance does not go like clockwork and he’s a good enough horseman to roll with the changes and ad-lib when things do not go as planned. He even discussed how important it is to keep the drives up in his horses and dogs- they do not always behave like perfect automatons because he wants them to be eager to do their work. My favorite clinician was dressage trainer/clinician/performer Matt McLaughlin. He had a perfect blend of showmanship, knowledge, and talent. He was honest and thoughtful in his discussions about dressage and natural horsemanship alike. I just about stood up and cheered when he talked about the lack of contact in the outside rein being one of the biggest downfalls in modern natural horsemanship practices. Inside leg to outside rein is essential for meaningful contact and in order to progress up the training scale. But Matt also had a bone to pick with the strictly classical dressage world. He talked about the passage and joked about how riled up the dressage folks get when he refers to it as a “trick”. Unlike the majority of purists, McLaughlin said that most horses possess some level of piaffe and passage, even if it’s basic, and he does not consider it a sin for a person to safely experiment with it. He also talked about the benefits of 3 and 4 track shoulder-ins and how a stationary turn on the forehand is not functional in a horse’s training progress, other than to teach a new behavior. As a performer, McLaughlin also addressed his training methods- he talked about how some movements are accentuated with his horses for better visibility in performances. He said to train a horse to 110% at home in order to get more an 80% effort off the farm. A horse has a hard side and a hollow side and it’s our job to work with both, mostly by softening the ribcage. He mentioned the ribcage several times, talking about how a rider achieves softness by establishing contact with the outside rein, then getting a bend in the ribcage, THEN worrying about softness in the neck, mouth and jaw. Also discussed were some of the dualities of riding: a horse must be collected in order to extend, and how good lateral work is the way to straightness and forwardness. Plus, Matt is a really nice rider- it’s always inspiring to see talented riders.
The breed parades are always fun.
My favorite horse in the breed demos is Gatsby, a grey Tennessee Walking Horse/Racking Horse gelding. He’s about 20 years old and he travels to clinics and shows all over the country. He and his owner do search and rescue work and he’s a wonderful ambassador for the breed. I’ve known a few dozen horses in my lifetime who really and truly seem to love performing and Gatsby is one of them. When he was showing off his amazing racking powers, his ears flicked forward and he racked even faster when the crowd cheered. What a cool horse :^) I wish I could have seen more of the gaited horse clinics- I don’t know much about the conformation and riding of gaited horses and I’ve learned a lot of good information in the past in Harrisburg.
Friday night’s Theatre Equus was fun as always. There is something so thrilling about seeing people who are performing their hearts out for a packed arena of horse lovers. Matt McLaughlin, fantastic as always with his Andalusian stallions, Pecos and Corral. Corral is 24 years old and going strong (and apparently barefoot!).
La Garrocha performance with Pecos, his younger stallion.
Tommie Turvey and his equine superstar sidekick Pokerjoe performed their famous “Riding Instructor” skit. Pokerjoe, who has performed the skit hundreds of times, looked like he played with Tommie just a little bit. He’s a smart horse who really keeps Tommie on his toes. The skit is something to see in person, but here’s a Youtube clip to give you an idea:
Not to be upstaged were Ace and Joker, who took Turvey over a jump of FIRE.
Jennie Jackson and amber champagne Tennessee Walking Horse stallion Champagne Watchout were fine performers. She showcased the stallion’s talents beautifully both in a solo performance and a comical pas de deux with Craig Cameron and foundation AQHA stallion, Chief. Aside from being a solidly built and showy horse with a fantastic disposition, Champagne Watchout has the distinction of being the first flat-shod horse to compete in many years in the 1999 Tennessee Walking Horse Celebration. Click here to read more about this interesting story. The read is interesting enough to ignore the goofy music ;^) Chief has an amazing story of his own! He was on his way to becoming a champion reining horse when he lost his vision. The day before the clinic was the first time Craig Cameron rode this horse, and the two of them looked like they knew each other for years.
Trick riding and drill rides by the Canadian Cowgirls thrilled the crowd and we were treated to jousting and a six-horse team of Percherons. I attended the Expo again the following day. I left inspired and entertained :^) 

















































