Jaguar Hope: 4/15/98 – 3/18/09
I extend my deepest condolences to fellow blogger, photographer, and Thoroughbred fanatic Wendy Uzelac for the tragic and sudden loss of her beloved, beautiful, talented Thoroughbred, Jaguar Hope.
Please take a moment to read about Jag’s legacy.
Bold Forbes and Rock Lists: Thoroughbred Daily News Writer/Reporter Jon Forbes’ Top Ten Albums of All Time

Jon Forbes and fellow Kinks fan Smokey Stover
I was delighted for so many reasons when Jon Forbes joined the staff of Thoroughbred Daily News:
– I was no longer the staff newbie
– Jon Forbes likes mule racing even more than I do
– Like many TDN staffers, Jon loves excellent rock music
And he’s got quite a bright future in sports writing. Winning the Horseplayer Magazine’s inaugural “Blog Yourself to a Job” contest led Forbes to write several features for the magazine in 2007. Jon was a Blood-Horse intern and contributor to California Thoroughbred, Standardbredcanada.com, and AQHA’s Racing Journal by the time he graduated the University of Arizona’s Race Track Industry Program.
Fresh out of college, Jon made the trek from the San Francisco Bay Area in California to the Jersey Shore. He may know Black Ruby race calls by heart, but you should see the California Kid struggle with New Jersey snow on his car.
Ask him about Bay Meadows. Or ask him about any of the dozens of racetracks he’s visited. Ask him for the winner of the final race at any track that has closed since 1992. Or ask him for his top ten albums of all time:
1. The Who Sell Out-The Who (1967) The third LP by the ‘orrible ‘oo, a mock pirate radio broadcast, was the group’s first concept album. Included with the songs are fake commercials and “borrowed” jingles from Radio London broadcasts. Although the pirate radio broadcast concept loses steam at the end (apparently the group ran out of fake commercials and were in a hurry to finish production), it’s much more of a concept album than Sgt. Pepper’s Lonely Hearts Club Band. The album is full of sharp social criticism, but the album never ceases to lose its goofy sense of humor.
2. Ramones-The Ramones (1976): Thanks to bands like Yes; Emerson, Lake & Palmer, and the band that brought us the #4 album on this list, rock ‘n’ roll had become bloated and needed a spark of energy. Which was exactly what The Ramones self-titled debut album offered. Rock, I believe, has fun at its core, but the genre had become so darn self-serious by then. I mean, how can’t you love a band that doesn’t “wanna go down to the basement” or “walk around with you”, but does “wanna sniff some glue”? Note the irony of a Jewish Brooklyn native singing about a “Blitzkrieg bop” and how he’s a “Nazi schatzi” who fights “for the fatherland. “ 1-2-3-4!
3. Who’s Next-The Who (1971): Anyone who listens to classic rock on FM radio is probably sick of hearing Baba O’Riley, Behind Blue Eyes, and Won’t Get Fooled Again. I mean, those are great songs, but I have this album ranked highly because I really like a lot of the lesser-known tracks. The Song is Over successfully combines poignant soft rock with harder stuff. Getting in Tune is simply, well, a good tune. And Going Mobile is a fun song to sing while driving. Not that I sing in the car or anything…
4. Wish You Were Here-Pink Floyd (1975): Real Pink Floyd fans may a disagree with me, but this is by far my favorite Pink Floyd album. Actually, it’s the only one I listen to. I know a serious Pink Floyd fan who thinks its “cliché.” And granted, it’s not as adventurous or ground-breaking as some of their other efforts. But that’s why I like it: It isn’t so damn obtuse! The songs make sense. The theme of Syd Barrett’s downfall after falling into the trappings of rock ‘n’ roll success is easy for feeble minds like mine to follow. (Actually, David Gilmour and Richard Wright agree with me. Said Gilmour: “I for one would have to say that it is my favourite album, the Wish You Were Here album. The end result of all that, whatever it was, definitely has left me an album I can live with very, very happily. I like it very much.” And Wright: “It’s an album I can listen to for pleasure. And there aren’t many of the Floyd’s albums that I can say that about.”)
5. Revolver-The Beatles (1966): On this single album, you’ll find the childish fantasy of Yellow Submarine and the hard rock psychedelia of Tomorrow Never Knows. The latter track still kicks ass nearly 43 years later, and they didn’t have modern luxuries like synthesizers or computers to produce the trippy effects. On the other end of the complexity spectrum is For No One, a melancholy two-minute tale of a romantic breakup that lacks of the excessive saccharine-ness of some of McCartney’s later efforts.
6. Rubber Soul-The Beatles (1965): Really, the five and six spots are interchangeable. This LP was the Beatles’ last effort before Revolver. It does have a much more organic feel than the preceding album, however, but still was a tremendous move forward from their early albums. Gone are the “boy meets girl” and “boy loses girl” songs, replaced by songs about seduction, jealousy, adultery, and isolation. The Word is their first song about love as a broader concept, and I prefer it vastly over the pretentious All You Need Is Love, which came two years later.
7. Leave Home-The Ramones (1977): This is the Ramones’ second album, which is a lot like the first. Except now they prefer sniffing Carbona cleaning products to glue. And we should now fear opening that door, instead of going down to the basement. And while Jackie is a punk and Judy is a runt, Suzy is a headbanger. Gabba gabba hey!
8. The Kinks Are the Village Green Preservation Society-The Kinks (1968): When young people were tuning in, dropping out, and turning on, the Kinks were singing about village greens, steam-powered trains, and picture books in this concept album, which about small-town British culture. There is an irony to Ray Davies’ lyrics, granted, but it’s an affectionate irony. God save Donald Duck, vaudeville and variety! (Except I don’t know why the American Donald Duck made Ray Davies’ list of British things that should be preserved, but I’ll grant him some artistic license.)
9. The Last Waltz-The Band (The concert was in 1976. Soundtrack released in 1978.): This album is about as “live” as Richard Manuel and Rick Danko now are (yeah, I went there), but hey, I like it. This soundtrack to the film of the same name is from The Band’s final concert with their original lineup. The album and film are filled with studio overdubs, but apparently Levon Helm’s drumming is live, so that’s good enough, right? And his vocals are pretty damn good on Up on Cripple Creek and The Night They Drove Old Dixie Down. Except that hack Martin Scorsese truncated a lot of the songs in the film and took out the verses in Up on Cripple Creek that were about going to the racetrack. Those were the best verses!
10. Bringing It All Back Home-Bob Dylan (1965): I like Bob Dylan a lot, but on most of his albums, I love half the songs and never listen to the other half. But on Bringing It All Back Home, I’ll listen to nearly all of them, except I do prefer the live version of Maggie’s Farm. Also, I don’t think it’d be a stretch to say Subterranean Homesick Blues was one of the first rap songs.


























